Preview Time!!!

Just to get your appetites whetted for the sequel to Suburban Vampire: A Tale of the Human Condition – With Vampires, titled Suburban Vampire Ragnarok, here’s a little sneak peek. This is from the prologue sequence. So sit back and get ready (By the way, there are Nazis involved, and yes, they are the bad guys, which I hope should be obvious):

OSLO, NORWAY, JANUARY 1941

            Hauptsturmfuhrer Ernst Loeb paced nervously in the white-washed hallway of the administrative building. He had several things weighing on his mind; the current visit to Norway of Reichsfuhrer Himmler wasn’t even foremost among them. Loeb had been part of the planning detail for the visit, but was then given an alternate task, wired directly from Berlin. The details of this task had come directly from the office of the Fuhrer himself. Loeb had read the order, and momentarily thought the task beneath him (“Couldn’t my skills be put to better use sniffing out spies and collaborators, rather than pursuing antique trinkets in frozen fjords?” He asked himself, before assuring himself that he was picked for this errand by the Fuhrer himself – or at least, members of the Fuhrer’s staff). Worse yet, he noticed the name of the SS Officer who would be accompanying Himmler to Norway with the sole purpose of making sure this particular task had been completed adequately. Obersturmbannfuhrer Anton Schwartzknecht was a man of some fearsome reputation, even among the Waffen SS. He had personally killed more Polish, Russian, French, and British soldiers than almost any other officer in either the SS or the Wehrmacht. It actually was worse than that, considering that Loeb and Schwartzknecht had once come to blows over the attention of a young lady who worked in a grocers in Munich several years earlier. Loeb ended up married to the beautiful fraulein, much to Schwartzknecht’s chagrin; Loeb had then wisely chosen a career path that would take him as far away from Schwartzknecht as possible. But now all that careful planning was gone, and the fearsome Obersturmbannfuhrer was now in Loeb’s territory, and had outranked him. Things could not get much worse. He nervously checked his pocket watch again. He’s late.

Apparently, however, he must not have been that late, as soon a black Mercedes-Benz 170v pulled up to the white stone stairs outside the administrative building, tires crunching through the snow. The driver ran over to the passenger door, opened it, and snapped to attention, as the black-uniformed SS officer climbed out and glanced over the white building. Loeb almost ran down the stairs to meet Schwartzknecht. He stopped a couple steps up and saluted. “Heil Hitler,” He announced, to which Schwartzknecht responded.

“Welcome to Norway, Obersturmbannfuhrer, we are honored by your arrival,” Loeb said. Schwartzknecht furrowed his brow.

“Spare me the pleasantries, Hauptsturmfuhrer. The only thing I wish to hear from you right now is that you have the object.”

Loeb cleared his throat. “We are in the process of securing it, as we speak. Right now a detachment of SS along with Norwegian auxiliaries is closing in on the location of the object.”

“That is not what I wanted to hear, Hauptsturmfuhrer. That is not what Himmler wants to hear, and that is certainly not what Hitler wants to hear. I had conferred with the Fuhrer himself on this particular project, and it was I who selected you. I shall not allow your incompetence to make me look the fool in the Fuhrer’s eyes.”

“I assure you, we do have the location of the object, and it will be in our hands this very evening.”

“You seem certain of this. Please, share with me the source of your confidence.”

“We had the chance to interrogate an informant. A man who, it turns out, is a member of the organization known as ‘Ministry’.”

The mention of Ministry piqued Schwartzknecht’s interest, as his eyes widened. “Ministry, you say? We have had encounters with them before. Officially, they have been banned by the Third Reich, their resources confiscated, and their surviving members taken to labor camps. And you say that this… Ministry… had possession over the object in question?”

“Yes, and I am certain this information is accurate as we were very persuasive, and this information has been verified.”

“Good,” Schwartzknecht said, a rare smile cracking upon his steely face. “So where is the object being held?”

“In an ancient wooden stave church to the northeast of Trondheim.”

“And you are certain that the operation will proceed as ordered?”

“Absolutely. I advised the men to cleanse the place entirely. No survivors, as ordered.”

Schwartzknecht’s smile widened. “Excellent.” He then proceeded up the stairs, heading into the administrative building.

“Excuse me, Obersturmbannfuhrer, may I ask as to the significance of this object? I understand that the Fuhrer is interested in items of great metaphysical and religious significance, but from your description, this box of Huginn and Muninn just sounds like a simple wooden box…”

Schwartzknecht turned to face Loeb. “You may ask, of course. But I may not answer. Suffice it to say, it is a matter far above your security clearance.”

“Understood, sir,” Loeb replied. After all, it was a mission directly from the Fuhrer’s office. Who was he to question it?

 

 

 

 

 

Sex!!! Part two (with more sex)!

Now that I have your attention, welcome to part two of the discussion I said I’d get to eventually — the one about S-E-X. Kind of. Just enough to get you interested (I told you I’d get to it eventually! I wasn’t lying!).

There is some (not much, but it is there) sexual content in Suburban Vampire. Those of you unfamiliar with the vampire genre will ask why this is — well, sex sells, of course. But that is a lazy man’s answer (I am, after all, a lazy man), and is not the actual truth (sex sells sometimes. But if there’s nothing but sex, then you have porn, and that’s not my deal, thank you). A writer friend once made a comment, and I am probably butchering it here, thanks to my shabby memory, but it went along the lines of “part of the rationale behind the vampire genre is dangerous sexuality”. I at first said “not necessarily” (all sex is dangerous — even in the most tame, monogamous, and dedicated relationships, you run the risk of kids!), but then I thought about it — and came to the conclusion that my friend was right. Sexuality and the vampire are, for better or worse, intertwined, almost from the beginnings of the genre. One only needs to look at one of the earliest works of the genre, Joseph Sheridan Le Fanu’s Carmilla, published in serial form between 1871 and 1872. This work predated the gold standard of the genre, Bram Stoker’s Dracula (published in 1897). Carmilla was a series of stories about a lesbian vampire — that’s right, a lesbian, back in the stodgy Victorian era (although it was not explicit, considering the era, one can easily deduce the author’s intent that, yeah, this vampiress digged chicks). Even in Stoker’s Dracula, there is certainly a less-then-completely explicit undertone of sexuality (Drac stalks Lucy Westenra and Mina Murray. Because of blood. Yeah, that’s it. Plus, he has a harem of ‘brides’. Just because he likes having them around, I guess). Now, the basic story has been embellished since Stoker wrote his book, with the inclusion of a subplot in which Dracula believes Mina to be the reincarnation of his long lost love, a modern invention which has become part of the canon. Some have commented that the underlying sexuality in the Stoker novel may have been derived from Victorian-era fears of miscegenation; this seems a reasonable theory if one considers the attitudes of the place and day. Of course, over time, the sexual element in the vampire genre has evolved, to become more explicit and obvious; the combination of dangerous sexuality and violence speaks to us on a visceral level, reminding us that we, humanity, are greater monsters to each other than any vampire could be. Depressing, huh?

So what does that have to do with Scott Campbell? Well, in remaining true to the genre, sexuality cannot be avoided; it is part and parcel of the story of the vampire. More importantly, in telling Scott’s story, I had to go to some dark places; it helped that I was experiencing some personal darkness during the time I wrote the first novel (no, not going to go there now). Anyone who knows me knows that, personally, I am very conservative and old-fashioned when it comes to sexual matters, in fact I’m darn near prudish (not enough to avoid writing about sex but… eww! Cooties!). But then, Scott Campbell was pretty conservative himself, at least until he became a vampire. Then he started succumbing to the temptation to act on these new feelings — his dangerous sexuality (and his propensity for violence). So we can see, in Suburban Vampire, dangerous sexuality — and its consequences. Scott gets called out for his loutishness, and has to deal with the fallout from that embarrassment. Dangerous sexuality and its consequences — where are we hearing about that, these days? Did I just make Suburban Vampire socially relevant? Gee, I didn’t mean to…

And, of course, there is a little Walter Mitty in all of us. We all want to be irresistible, to be the alpha, and that includes matters of sexuality. Many of us can’t be; those of us who can find ourselves restrained by our own senses of morality and decency (which is a good thing). So, we find release in things like vampires (or James Bond, or any action hero, for that matter). It is often times better to observe these things on the silver screen, or in the pages of a book, than to try them in real life — we don’t want anyone going to jail, after all.

So, what’s my point? Vampires are sexy and dangerous, I guess. In any case, despite all the above, as Freud once mentioned, “sometimes a cigar is just a cigar”. Your mileage may vary. Sleep tight!

 

 

 

OZMA Awards 2017 Short List!

Check this out — yours truly has made the Chanticleer OZMA Book Awards for Paranormal Fiction short list 2017!!!

https://www.chantireviews.com/2018/01/04/ozma-book-awards-for-paranormal-fiction-short-list-2017/?utm_source=Chanticleer+Email+Subscribers&utm_campaign=6e9c0e2d1e-RSS_Contest_News&utm_medium=email&utm_term=0_accbd60faf-6e9c0e2d1e-129981045&mc_cid=6e9c0e2d1e&mc_eid=85e1c46f83

Not too shabby, if I say so myself!

New Year Status Update

Well, it’s 2018 now. That means the Earth has gone all the way around the sun again. But what does that mean for yours truly? Well, hopefully fame and fortune (Might as well dream big, right?). More down to the previously-mentioned planet, what can you, the reader, realistically expect from me this year (other than hoping that Suburban Vampire makes the NYT Best-seller list)? Let me give you a complete status update, which includes discussing my future projects:

  1. This year, 2018, I plan on publishing the sequel to my first novel. The title of this project is Suburban Vampire: Ragnarok (not to be confused with Thor: Ragnarok). I have submitted this work to a couple publishers, but unless a miracle happens, I will probably end up self-publishing this one as well. The story is set about five months after the end of Suburban Vampire, and is centered around what in film and literary terms is called a McGuffin (check out Wikipedia’s definition here: https://en.wikipedia.org/wiki/MacGuffin) which was revealed in the conclusion to the first novel. This object is called the box of Huginn and Muninn. Its significance was alluded to in the conclusion of Suburban Vampire, and it will be played out over the course of the second novel.
  2. The third novel in the series is tentatively titled Suburban Vampire: Reckoning. This novel is complete and only needs final editing before it is ready to go. This novel will have an overall darker tone than the previous two.
  3. The fourth novel in the series, also complete, is tentatively titled The Holy Death (what do you know, there’s no Suburban Vampire in the title!).
  4. My first non-Suburban Vampire novel, titled Thorn, is also complete and only needs editing. It is set in the Suburban Vampire universe, but with entirely different characters and an entirely different feel — I describe it as a “Hard-Boiled Supernatural Detective Noir” — think Mickey Spillane meets Charlaine Harris. I set out to create a protagonist who is not easy to like, and I think I accomplished that. It is overall the most sophisticated and nuanced work I have yet done.
  5. I am currently working on (again, tentative title) Suburban Vampire: Book of Origins. This will be an anthology-like work that goes into the backstory of some of the non-Scott Campbell vampires from the Suburban Vampire series, including Jeremiah, The Inquisitor, Elizabeth, Father, and Jack. As this is a work currently in process, that is all I can share about it at this time.
  6. Already begun, but currently on hold, is the fifth novel in the Suburban Vampire series, tentatively titled Suburban Vampire: Redemption. I broke ground on this one before putting it on the back burner to work on Thorn, Book of Origins, and some short stories.
  7. Speaking of short stories, I’ve got about five of them, all part of the Suburban Vampire universe. When I’ve written a few more, I’ll consider putting them together in an anthology. That’s off in the future a bit, though.

And yes, I do have other ideas running around in my mind, including a YA novel and other projects that don’t involve vampires. But those are for another time. In the meantime, stay tuned to this channel for more news and information! And have yourself a Happy New Year!